Johanna Mary Wagner

Faculty of Business, Languages and Social Sciences
Position
Professor
Contact
+4769608361
Study place
Halden
Office nr.
-

Professional interests

American and British Literature, Film, 20th Century Literature, Modernisms, the Gothic, Gender/Feminist/Queer Theory, Representations of Women in literature, film, and visual culture, Narrative and Affect theory, Discourse Analysis, and Rhetoric

Teaching

<https://www.hiof.no/english/studies/courses/oss/2018/autumn/sfe21417.html>   
<https://www.hiof.no/english/studies/courses/oss/2019/spring/sfe11318.html> 
...

Background

Høgskolen i Østfold, Norway

Professor of English

Faculty of Economics, Languages, and Social Sciences

2018-Present

Høgskolen i Østfold, Norway

Associate Professor of English

Faculty of Economics, Languages, and Social Sciences

2014-2018

Maastricht University, The Netherlands

University College of Maastricht

Assistant Professor of English

Faculty of Humanities and Sciences

2011-2014

 

 

Research groups

Publications

  • Wagner, Johanna M. (2017). Repositioning Lorelei’s ‘Education’: Mind, Body, and Sex(uality) in Anita Loos’ Gentlemen Prefer Blondes. College Literature.  ISSN 0093-3139.  44(4), s 644- 674 . doi: 10.1353/lit.2017.0037 Full text in Research Archive.
  • Wagner, Johanna M. (2016). The Conventional and the Queer: Lily Bart, An Unlivable Ideal. SubStance.  ISSN 0049-2426.  45(1), s 116- 139
  • Wagner, Johanna M. (2016). Unwomanly Intellect: Melancholy, Maternity, and Lesbianism in Olive Moore’s Spleen. Journal of Language, Literature and Culture.  ISSN 2051-2856.  64(1), s 42- 61
  • Wagner, Johanna M. & Demoor, Marysa (2013). The Slippery Slope of Interpellation: Framing Hero and Victim in Ethan Frome. Neophilologus.  ISSN 0028-2677.  97(2), s 417- 435
  • Wagner, Johanna M. (2012). (Be)Longing in Quicksand: Framing Kinship and Desire More Queerly. College literature (Print).  ISSN 0093-3139.  39(3), s 129- 159
  • Wagner, Johanna M. (2011). In the Place of Clare Kendry: A Gothic Reading of Race and Sexuality in Nella Larsen’s Passing. Callaloo (Print).  ISSN 0161-2492.  34(1), s 143- 157
  • Wagner, Johanna M. (2011). Not Quite White: White Trash and the Boundaries of Whiteness, by Matt Wray (Review). Mississippi Quarterly.  ISSN 0026-637X.  63(4), s 735- 738

View all works in Cristin

  • Larsen, Elin Strand; Maktabi, Rania & Wagner, Johanna M. (2018). Girl Power i politikken?.
  • Wagner, Johanna M. (2017). Foreign Places, Intimate Spaces: Flânerie and Dandyism’s Modern Progeny.
  • Wagner, Johanna M. (2017). The Boundaries of Lorelei Lee: Adaptation and Transmediation of Gentlemen Prefer Blondes.
  • Wagner, Johanna M. (2017). The Humanities, American Anti-intellectualism, and Judith Butler: A Return to Her Critics.
  • Wagner, Johanna M. (2016). Architectonics of the Uncanny Bildungsroman: Rebecca and The Haunting.
  • Wagner, Johanna M. (2016). Breaking Biopower: Olive Moore’s Spleen and Djuna Barnes’ Nightwood.
  • Wagner, Johanna M. (2016). I was Ward Cleaver: An Apologia.
  • Wagner, Johanna M. (2015). Today’s Academic Job Market.
  • Wagner, Johanna M. (2014). Fish out of Water.
  • Wagner, Johanna M. (2014). Oh Say Can You See.
  • Wagner, Johanna M. (2014). Razzle Dazzle Cocktail Prattle.
  • Wagner, Johanna M. (2014). Uncanny Melancholy and the Maternal in Olive Moore’s Spleen.
  • Wagner, Johanna M. (2013). Alstublieft Already! Please!.
  • Wagner, Johanna M. (2013). Baby Zombies.
  • Wagner, Johanna M. (2013). It’s Too Darn Cold!.
  • Wagner, Johanna M. (2007). Moving the Story, with Conviction.

View all works in Cristin

Published June 12, 2018 4:28 PM - Last modified Mar. 18, 2019 12:01 PM