Norwegian Theatre Academy

BA PROGRAMS

BA Scenography
BA Acting
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MA PROGRAMS

MA Scenography
MA Performance
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ADMISSION

BA 2019
MA 2020
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At NTA, we educate acting and scenography students in contemporary theatre from the undergraduate to post-graduate levels. Students work closely together to generate new original works informed by compositional strategies found in theatre, music and architecture. Our practices are based in research, in seeking relationships and potentials produced by theatre and in investigating how performance can engage in both a space and the public via the senses while simultaneously stimulating critical discourse and thought. For almost 20 years the education has invited groundtaking international guests artists to create unique projects in conjunction with students.


Events

06 Oct.
7:00 PM, Paris, France
28 Oct.
12:00 PM, Kulturhistorisk museum, Oslo
15 Nov.
16 Nov.
17 Nov.
23 Nov.

News

  • haoya18 Receives EU funding for 3 years Sep. 20, 2018

    Norwegian Theatre Academy has been selected to receive EU funding from the programme Creative Europe to investigate hidden and neglected cultural heritage in 3 different and distinct places in Europe.

  • newfangled-futures Opening of two NTA master productions Sep. 6, 2018

    Newfangled Futures September 6 at 18:00, Vitenparken in Ås: Anne Cecilie Lie and Annike Flo invites you to the official opening and vernissage of their final master productions "Entangled in the Mesh" (Lie) and "c o c r e a t : e : u r e s" (Flo).

  • opening - A call for understanding Aug. 21, 2018

    NTA could finally celebrate the opening of the new Master in Performance.

  • material-strategiesweb NTA project supported by PKU June 20, 2018

    We have the pleasure to announce that NTA has received funding for one year research project “Material Strategies”*** from the programme for artistic research (PKU).


Artistic Research

What NTA values most in the artistic research is the invitation to interfere with different knowledge systems. Artistic research processes value experimentation, juxtaposed relations, and live encounters as proven values for spending time and resources. This is an alternative to familiar modes of academic production. The act of critical reflection is therefore an essential part of our artistic research processes, where theory, expression, and other languages arise out of a myriad of mechanisms used to engage work.